Showing posts with label Modern Art Museum of Fort Worth. Show all posts
Showing posts with label Modern Art Museum of Fort Worth. Show all posts

Wednesday, October 7, 2009

WILLIAM LAMSON, TALK @ FORT WORTH MODERN

WILLIAM LAMSON


Tuesday Evenings @ the Modern: WILLIAM LAMSON
-Tuesday, October 20, 7pm @ Fort Worth Modern Art Museum-

William Lamson is a Brooklyn-based artist recognized for an inventive body of work that, as described on National Public Radio, uses “inexpensive materials and simple structures” to create “visuals that are mesmerizing and, in a word, playful.” Addressing issues of masculinity, amateurism, science, play, and the quixotic quest for personal heroism, Lamson speaks to the spirit of ingenuity in sculptures, photographs, and performances that broaden horizons and entertain the imagination. For Tuesday Evenings, Lamson presents what he describes as his “arduous endeavors that offer the perpetual hope of transcendence, however flawed the undertaking may be.”

Tuesday Evenings at the Modern begin at 7 pm in the auditorium. The series brings artists, scholars, and critics to discuss their work each week at the Modern. Admission is free and open to the public. Free admission tickets can be picked up at the Modern’s admission desk beginning at 5 pm on the day of the lecture. Seating begins at 6:30 pm and is limited to the first 250 ticketholders. A live broadcast of the lecture will be shown in Café Modern for any additional guests. During the series the Museum galleries and Café Modern remain open until 7.

William Lamson's solo exhibition 'Automatic' at Marty Walker Gallery opens Saturday, October 17, 6-8pm.

WILLIAM LAMSON

WILLIAM LAMSON


(pictured, WILLIAM LAMSON's, Sea Drawing, and Sea Drawing Apparatus, 2009 - photograph, drawing, video still)

Friday, September 4, 2009

WAYNE WHITE, talk @ THE FORT WORTH MODERN

WAYNE WHITE

Tuesday Evenings at the Modern : WAYNE WHITE
-Tuesday, September 8, 7pm @ Fort Worth Modern Art Museum-

Los Angeles-based artist Wayne White begun his career as a production designer for Pee-Wee’s Playhouse ( for which he received three Emmys), White is now recognized for his clever and beautifully rendered text paintings. As a wordsmith and draftsman extraordinaire, White juxtaposes irreverent and humorous phrases over “sofa art” lithographs of landscapes mass-produced in the 1960s and ‘70s to create something all together new and always compelling. Tuesday Evenings focuses on the work featured in the recently published monograph, Maybe Now I’ll Get The Respect I So Richly Deserve, which is a comprehensive view of White’s 30-plus-year career. And mark your calendars for February 2010 -when Marty Walker Gallery presents Wayne White in a new solo exhibition. Opening reception Saturday, Febraury 20; exhibition runs through March 20, 2010.

Tuesday Evenings at the Modern begin at 7 pm in the auditorium. The series brings artists, scholars, and critics to discuss their work each week at the Modern. Admission is free and open to the public. Free admission tickets can be picked up at the Modern’s admission desk beginning at 5 pm on the day of the lecture. Seating begins at 6:30 pm and is limited to the first 250 ticketholders. A live broadcast of the lecture will be shown in Café Modern for any additional guests. During the series the Museum galleries and Café Modern remain open until 7.

(pictured above, WAYNE WHITE's, Tinted Lard, 2009, acrylic on offset lithograph, framed, 18 3/4 x 25 inches)

Thursday, February 12, 2009

FOCUS: Jeff Elrod @ Fort-Worth Modern


Visit the The Modern Art Museum of Fort-Worth for "FOCUS: Jeff Elrod" presenting the artist’s first solo exhibition in an American museum. Exhibition runs February 15-March 29, 2009.

To create his large, abstract canvases, Jeff Elrod explores the intersections between drawing and painting, words and pictures, organic and geometric form, and digitally generated and freely drawn imagery. The artist begins his process with what he refers to as “frictionless drawings” made with a computer mouse and a simple computer graphics program. The detached, graphic quality and compressed, shallow space of his initial sketches are inherent to the digital age of drawing. Yet, through Elrod’s creative process—the action of transferring the drawings onto canvas by hand—space and imagery take on a hybrid quality in which flatness and depth coexist.

Contact the Fort Worth Modern:
For more information and additional available work by Jeff Elrod, please contact Marty Walker Gallery.

(pictured above, Jeff Elrod, Pieces of Sky, 2006, acrylic and silkscreen on canvas, 80 x 62 inches)

Wednesday, January 28, 2009

NBC5 story featuring Marty Walker Gallery

Last week we worked with reporter Brian Curtis on a story about how art can be an enjoyable and often sound investment alternative. The piece also featured one my clients, Casi Bowers, discussing the purchase of her Douglas Cartmel piece and its appreciation. A special thanks to Casi for participating and doing such a fantastic job.

If you'd like to see the story, CLICK HERE, then to view the video click on the b/w painting shown.

I am appreciative of how Brian and the crew at NBC5 stayed true to the intent of the story, that art CAN be a good investment, but it is important to buy what you love, as with anything else these days you never know for sure if it will hold or appreciate in value. Art collecting is not a passive activity and should not be considered an investment alternative for the masses. That said, I DO think there are ways one can be smarter about buying art. Here are some of the tips suggested for those new to buying art but didn't make the final edit, not in any particular order.

1. Buy what you love, start with smaller purchases by lesser known artists. Upgrade your purchases when you become more confident and knowledgeable.
2. Educate yourself by going to reputable gallery openings, art fairs, (such as upcoming Dallas Art Fair), studio tours, talk to artists, dealers and other collectors. If you live in DFW, familiarize yourself with the local galleries. A great place to start is Contemporary Art Dealers of Dallas' new downtown space on Main St between the Joule and Neiman Marcus (MAP). Become a member at a local museum such as the Dallas Museum of Art or the Modern Art Museum of Fort Worth, and attend their lectures and educational opportunities, read art books and magazines, sign up for a few art history classes.
3. Art is not a passive activity and takes time and legwork to develop your eye and learn about the field. If you do not want to spend the time, I would suggest that you locate a reputable art consultant who can help guide you.

I would also like to share that I have never had a client come in and ask me what artist or which artwork would be the best investment. Nor do I ever encourage a purchase with speculation. From my view, supporting artists earlier in their career (pre-auction activity) has potential to hold its value or achieve significant gain should the artist's career take a favorable path. It is not that uncommon for an artist's work to increase in value at this level, you just don't read about it because the media tends to favor the drama of auction sales. Many of my clients have made very good decisions on works of art not only purchasing from mine as well as other galleries, but supporting artists even at a pre-gallery level. SOME of the factors and/or combinations of any of the following that often cause contemporary art to increase in value are:
  • museum purchases
  • inclusion of artist in important exhibitions and collections
  • publications, press, monographs and catalogs
  • supply and demand
  • prestigious grants and awards
  • artist gains entrance into higher profile gallery
  • favorable auction results

Some pros and cons of collecting contemporary art:

Pros:
  • enjoyment from beauty and intellectual stimulation
  • the joy of collecting and creating a new social network
  • excitement of the hunt
  • diversification potential of art in a portfolio
  • supporting and contributing to the cultural fabric of your community

Cons:
  • art has less liquidity than most financial assets
  • the owner enjoys the work so immensely that he/she is less likely to sell it
  • requires a bigger investment of time and effort than money

Recommended reading for beginning collectors: