Monday, November 2, 2009

Death of a Propane Salesman

Anxiety and the Texas Artist

FORT WORTH CONTEMPORARY ARTS

Seth Alverson, Michael Bise, Matthew Bourbon, Vernon Fisher, Lawrence Lee, Margaret Meehan, Amy Revier, Ludwig Schwarz, Edward Setina, Kevin Todora, Terri Thornton, Jeff Zilm, Eric Zimmerman

October 30, 2009 – December 13, 2009.
Opening Reception: Friday October 30, 6-9pm


Following is a brief essay written for the exhibit curated by FWCA newly appointed curator Christina Rees. The line-up alone merits a visit to see the show (includes Marty Walker Gallery artist Jeff Zilm!).


Relevant artists are barometers of their environments, and whatever form their art takes, their tendency to tell the truth leads them to create work that mirrors otherwise unseen, undiscussed or repressed phenomena and ideas.

After all, Texas is many things: polite and aggressive, lacking in urbanness with a desire to duck the searing sunlight; it’s part of the Bible Belt, it’s famous for doing things in its own time and it often seems unrattled by world events, and of course it’s known for stetsons, big hair, and plastic surgery. This, when viewed from afar, can appear to be an unnatural environment for contemporary art.

So what kind of art is being made here? Texas, as an environment, makes for rich place of contradictions for an artist to probe. Discomfort is a key element that takes many forms in this exhibition: erasure of content, degradation of material, violence, miscommunication, an attempt to organize and name uneasy thoughts, and dire tension about the kinds of cultural “norms” we’re all meant to take in stride.

So unlike artists working in the more progressive or art-lofty spheres of the two coasts, the Texas artist—especially the highly reactive, imaginative, and sensitive one—finds himself fighting battles of cultural contradiction from the inside. But really, no matter where he lives, this reactive artist would be grappling with the high stress of modern living or the hostile chemical bath of his own brain. Having to fight that good fight in the lone star state merely adds a new dimension of melancholy, if not poetry, to the work, not to mention a lack of commercial compatibility. Unlike news headlines, stress in art doesn’t always sell, and yet the artists in this exhibition keep on telling their truths, and they keep spelunking their personal obsessions as a way of better understanding and navigating the world. The work itself often seems destined for museums, gallery shows, or back in storage in the artist’s studio; even the most hale Texas art collector doesn’t necessarily want a nervous breakdown permanently affixed to the wall of his living room.

Thus, around here, the coming together of artists in exhibitions is one of the clearer manifestations of the desire for an expression of liberty, of honest dialogue about the state of our culture, and often what you see in art galleries is the stuff that doesn’t belong anywhere else. And for every imaginable personal reason, Texas artists stay in Texas, and they keep making their work.





a not entirely unrelated image - King of The Hill's season 3 opener is titled "Death of a Propane Salesman"


FORT WORTH CONTEMPORARY ARTS
The Art Galleries at TCU [MAP]
2900 W Berry St. Fort Worth, TX 76109

www.theartgalleries.tcu.edu P:817.257.2588
gallery hours: Thursday-Sunday 1-6pm

Sunday, November 1, 2009

WILLIAM LAMSON NEWS & EXHIBITS


"...transfixed by his videos, the humor and inventiveness of the scenarios is matched by the sense of existential bewilderment. Lamson does the human predicament, with a light touch.
" -Glasstire.com

WILLIAM LAMSON

WILLIAM LAMSON - Automatic
(Sea Drawings, Automatic video still & framed drawings)



Get Transfixed! See Lamson's Automatic exhibition at Marty Walker Gallery! ...in the meantime, check out these recent articles and reviews:

And, don't miss Lamson's current and upcoming exhibitions:


  • William Lamson solo exhibition upcoming:
    @ ARTSPACE, New Haven, Connecticut
    opening reception: Thursday, November 12
    50 Orange Street, New Haven, CT 06510
    [MAP] P:203.772.2709 www.artspacenh.org
    hours: Tue-Wed: 12-6pm, Thu-Sat: 12-8pm
  • William Lamson: LONG SHOT ['The Lot' - MAP]
    (through January, 2010)

For acquisitions, further information, or to view the artist's additional video work, please contact Marty Walker Gallery.

Saturday, October 31, 2009

Anna Krachey @ Contemporary Arts Museum Houston

ANNA KRACHEY

ANNA KRACHEY
Galaxy, 2007, digital archival print, ed. of 10, 31 x 40 inches


PERSPECTIVES 168

Artists' gallery talk:
Thursday, November 5, 6:30pm
Opening reception:
Thursday, November 5, 7-9pm
On view: November 06, 2009 – February 07, 2010

Austin-based photographers Anna Krachey, Jessica Mallios, and Adam Schreiber are fascinated by the transformations that occur when the visible world passes through the camera’s lens. Capturing an image on film, they believe, is always an uncanny process because the photograph inevitably differs from what the artist perceived at the moment of its making. Using highly manipulable, large-format box cameras and a wide range of architectural, technological, and household subjects, they create images that acknowledge the mysterious slippages, distortions, and blendings of real and unreal inherent in photography. The Contemporary Arts Museum Houston is pleased to present Perspectives 168: Anna Krachey, Jessica Mallios, and Adam Schreiber, the first museum exhibition for these artists.

Krachey, Mallios, and Schreiber—friends and colleagues who work independently but share interests and approaches—are aware that, because of the instantaneous nature of exposures and the architecture of cameras with origins in Renaissance camera obscuras, all photographs distort appearances as they record light reflected from three-dimensional objects on a flat surface. By employing unusual framing, extreme close-ups, and idiosyncratic points of view, the artists seek to remind us of the artificial, enigmatic nature of photographic images. Likening their images to mirages, Krachey, Mallios, and Schreiber make photographs that evoke heightened or estranged versions of the visible world. Anna Krachey concentrates on her domestic sphere, making images of oddball objects she purchases on eBay or finds in ignored corners of her house and neighborhood. Creating a homespun Surrealism, Krachey’s work is filled with arresting juxtapositions of places and things that suggest a personal hall of mirrors in which questions about intentionality and accident, play and seriousness, abound.

PERSPECTIVES TALKS

Thursday, January 7, 6:30pm - Toby Kamps, exhibition curator and senior curator, CAMH
Thursday, January 28, 6:30pm - Kurt Mueller, critical studies fellow, The Core Program, Glassell School of Art, MFAH

CONTEMPORARY ARTS MUSEUM HOUSTON
5216 Montrose Blvd.
Houston, TX 77006
713.284.8250
www.camh.org


ANNA KRACHEY

ANNA KRACHEY
Ear, 2007, digital archival print, ed. of 10, 31 x 40 inches

View additional images of Anna Krachey's work here, see them in person @ Marty Walker Gallery, and for more information, please contact gallery.

Friday, October 30, 2009

Thomas Feulmer @ UT Dallas, group exhibit

THOMAS FEULMER

THOMAS FEULMER

Online Personal Ad (HUMOR AND...), 2008
spray paint on tracing paper, 17 x 20 inches



body text = "gender" -a group exhibition at The University of Texas Visual Arts Building, curated by Marilyn Waligore, includes work by artists Thomas Feulmer, Bryan Florentin, Morgan Ford, Simeen Ishaque and Christi Nielsen. Exhibition runs through November 28, 2009 (gallery hours: M-F 9am-10pm, Sat 9am-6pm).

These artists explore the representation of the body, as well as cultural attitudes toward the body, gender and sexuality: they are engaged in critical reflection, often referencing the body through its absence; they mine codes and conventions, like unspoken social rules, that inform relationships between gender and language in contemporary culture; and they address the influences of mediated imagery and consumerism.

Click here to see additional images of work by Thomas Feulmer, and please contact Marty Walker Gallery for further information.

The University of Texas at Dallas
access the Visual Arts Building via Synergy Park Blvs & Rutford Ave.
ah.utdallas.edu - 972.UTD.ARTS

Wednesday, October 7, 2009

WILLIAM LAMSON, TALK @ FORT WORTH MODERN

WILLIAM LAMSON


Tuesday Evenings @ the Modern: WILLIAM LAMSON
-Tuesday, October 20, 7pm @ Fort Worth Modern Art Museum-

William Lamson is a Brooklyn-based artist recognized for an inventive body of work that, as described on National Public Radio, uses “inexpensive materials and simple structures” to create “visuals that are mesmerizing and, in a word, playful.” Addressing issues of masculinity, amateurism, science, play, and the quixotic quest for personal heroism, Lamson speaks to the spirit of ingenuity in sculptures, photographs, and performances that broaden horizons and entertain the imagination. For Tuesday Evenings, Lamson presents what he describes as his “arduous endeavors that offer the perpetual hope of transcendence, however flawed the undertaking may be.”

Tuesday Evenings at the Modern begin at 7 pm in the auditorium. The series brings artists, scholars, and critics to discuss their work each week at the Modern. Admission is free and open to the public. Free admission tickets can be picked up at the Modern’s admission desk beginning at 5 pm on the day of the lecture. Seating begins at 6:30 pm and is limited to the first 250 ticketholders. A live broadcast of the lecture will be shown in Café Modern for any additional guests. During the series the Museum galleries and Café Modern remain open until 7.

William Lamson's solo exhibition 'Automatic' at Marty Walker Gallery opens Saturday, October 17, 6-8pm.

WILLIAM LAMSON

WILLIAM LAMSON


(pictured, WILLIAM LAMSON's, Sea Drawing, and Sea Drawing Apparatus, 2009 - photograph, drawing, video still)

Tuesday, October 6, 2009

FRANCES BAGLEY & TOM ORR - 'PERFORMANCE/ART' @ DMA

TOM ORR & FRANCES BAGLEY

costume and set design by
FRANCES BAGLEY & TOM ORR
Verdi's Nabucco @ The Dallas Opera, 2006
photo by Nan Coulter


DALLAS MUSEUM OF ART
October 8, 2009–March 21, 2010
Barrel Vault and Hanley, Lamont, Rachofsky, and Stoffel Galleries

In celebration of the opening of Dallas’s new AT&T Performing Arts Center, the Dallas Museum of Art is proud to present the work of six international and American artists who have used the forms and ideas surrounding theater, opera and performances starting points for an exciting array of paintings, sculpture, films, and installations.

Drawn from Dallas Museum of Art and important private collections , this extensive presentation will include British-Nigerian artist Yinka Shonibare’s film Un ballo in maschera(A Masked Ball), based on Giuseppe Verdi’s opera of the same name that is a brilliant reimagining of dance, costume, and narrative; Finnish artist Eija-Liisa Ahtila’s quietly intense and atmospheric evocation of an ill-at-ease mind, the three-screen film work Talo/The House; a new installation work by Dallas-based artists Frances Bagley and Tom Orr based on the spectacular sets and costumes they designed for a 2006 Dallas Opera production of Verdi’s Nabucco; and a selection of Argentine artist Guillermo Kuitca’s powerful paintings and drawings based on album covers and seating charts of major theaters and opera houses; and David Altmejd’s spectacular sculpture, The Eye, that he created in conjunction with a recent Metropolitan Opera production of John Adams’ Doctor Atomic.


TOM ORR & FRANCES BAGLEY

costume and set design by
FRANCES BAGLEY & TOM ORR
Verdi's Nabucco @ The Dallas Opera, 2006
photo from article in Dallas Morning News

Monday, October 5, 2009

REALITY SHOW @ TEXAS WOMAN'S UNIVERSITY

JILL PANGALO

JILL PANGALO

JILL PANGALO
from video - Note to Self


The exhibit "Reality Show," now at Texas Woman's University, explores the "reality" presented by television's favorite format. The artists are Jill Pangallo, Cecelia Phillips, Anna Krachey, Jaime Wentz and Laura Turner.

The artists' work uses the ubiquitous reality television format as material, though the show's brochure explains that reality television "is far from their main concern."

To build their vision, the show's five artists did extensive research, watching years of reality television.

Jill Pangalo's video can be seen at this year's '2x2 for aids and art' event. Click here for more info and to see the superb catalogue of artists. For more information, images, and available work by Anna Krachey and Jill Pangalo, please contact Marty Walker Gallery.


ANNA KRACHEY

ANNA KRACHEY
Cupcake on the Sea - digital archival print, 31 x 40 inches


*above excerpt from The Daily Texan article "Exhibit explores reality TV phenomenon through art," review of Reality Show's first iteration at Women and their Work, Austin, TX. (click here to read the full article)

Saturday, October 3, 2009

LAST CHANCE! SARAH WILLIAMS EXHIBIT CLOSES!

SARAH WILLIAMS

SARAH WILLIAMS
Marina, 2009
oil on panel, 24 x 24 inches


"Sarah Williams is a recent University of North Texas grad and is displaying remarkable talent and painting maturity right out of grad school. " - Joshua Goode, Renegade Bus

Last chance to view! Sarah William's solo exhibit at Marty Walker Gallery closes this Saturday, October 10th. Meanwhile, see the online gallery of the exhibit to whet your appetite:

http://www.martywalkergallery.com/archive/092009SW.htm

Friday, September 25, 2009

GOBBER in group exhibit with RUSCHA, NAUMAN, and more...

ARCHIE SCOTT GOBBER @ MARTY WALKER GALLERY

ARCHIE SCOTT GOBBER
Word, 2009
Found letters, enamel and tape, 36 x 118 x 3 inches



In a group exhibition drawing on themes of the text-based conceptual art movement begun in the late 1960's, 'Word' at William Shearburn Gallery in St. Louis, Missouri, opens tonight, Friday 25, 6-8pm, and features work by Marty Walker Gallery artist Archie Scott Gobber, alongside Ed Ruscha, Bruce Nauman, Joseph Havel, Jenny Holzer, Mel Bochner, Whiting Tennis, Suzanne McClelland, Matt Mullican, Glenn Ligon, David Buckingham, Graham Dolphin, Reuben Lorch-Miller, Craig Norton, Ligorano/Reese, John Tinker, and Toadhouse. This line-up guarantees a great show, so check it out! -the exhibition runs through November 14, 2009.

For information on additional available work by Archie Scott Gobber, or Ed Ruscha's suite of prints 'Country Cityscapes' please contact Marty Walker Gallery.



ED RUSCHA @ MARTY WALKER GALLERY

ED RUSCHA

Country Cityscapes: Be Careful Else We Be Bangin On You, You Hear, 2009
4-color photogravure with screenprinted text